Gilbert Benjamin Atencio Explained

Gilbert Benjamin Atencio
Native Name:Wah Peen
Birth Date: 1930
Birth Place:Greeley, Colorado, U.S.
Death Place:Albuquerque, New Mexico, U.S.
Nationality:American, San Ildefonso Pueblo
Education:San Ildefonso Day School,
Santa Fe Indian School
Occupation:painter, potter, medical illustrator, politician
Mother:Isabel Montoya
Relatives:Tony Atencio (brother),
Pat Atencio (brother)

Gilbert Benjamin Atencio, also called Wah Peen (English: Mountain of the Sacred Wind; 1930–1995), was a San Ildefonso Pueblo painter, potter, medical Illustrator, and politician.

Early life and education

Atencio was born in 1930 in Greeley, Colorado. He was the daughter of Benjamin Atencio and painter Isabel Montoya, who was a cousin of Maria Martinez. His brothers Pat Atencio and Tony Atencio were also artists, as were his sisters Helen Gutierrez and Angelita Sanchez.[1]

He studied at the San Ildefonso Day School and then at the Santa Fe Indian School, graduating in 1947.[2]

Career

Known for his portraiture and portrayals of local ceremonies and customs, he has exhibited his work across the country.[3] [4] He was trained in the Studio style,[5] and was initially interested in portraiture. An early success was his painting of his relatives Maria and Julian Martinez.[6] His later work often broke from the Studio style and showed influence of self-taught painters like Fred Kabotie.[7] His drawings often feature a number of figures, with apparel and features meticulously rendered. By the 1930s, Atencio also painted abstract or semi-abstract works.[8]

Atencio served as Governor of the San Ildefonso Pueblo in 1966 to 1967. He worked for some years as a medical illustrator.

Death and legacy

Atencio died on April 6, 1995, in Albuquerque, New Mexico. Some of his works have been in the permanent collection of institutions including the Museum of New Mexico, the National Museum of the American Indian,[9] the Gilcrease Museum,[10] and the Philbrook Museum of Art.[11]

Atencio's paintings were included the book, Southwest Indian Painting: A Changing Art (1957, University of Arizona Press) by Clara Lee Tanner.

External links

Notes and References

  1. Book: Spivey, Richard L.. The legacy of Maria Poveka Martinez. 2003. Santa Fe, N.M. . Museum of New Mexico Press. 978-0-89013-419-1.
  2. Book: Silberman, Arthur. 100 years of native American painting, March 5-April 16, 1978, the Oklahoma Museum of Art, Oklahoma City : [exhibition catalogue]]. 1978. Oklahoma City . The Museum.
  3. Book: King, Jeanne Snodgrass. American Indian painters; a biographical directory. 1968. New York : Museum of the American Indian, Heye Foundation. Smithsonian Libraries.
  4. Book: Dawdy, Doris Ostrander. Annotated bibliography of American Indian painting. 1968. New York, Museum of the American Indian, Heye Foundation. Smithsonian Libraries.
  5. Book: United States Information Service. Contemporary American Indian paintings from the Margretta S. Dietrich collection. 1900. S.l. United States Information Service. Smithsonian Libraries.
  6. Book: St. James guide to native North American artists. 1998. Detroit . St. James Press. 978-1-55862-221-0.
  7. Book: Museum of the American Indian. Heye Foundation. Native American painting : selections from the Museum of the American Indian. Fawcett. David M.. Callander. Lee A.. 1982. New York, N.Y. . Museum of the American Indian. 978-0-934490-40-5.
  8. Web site: Gilbert Atencio Paintings - Adobe Gallery, Santa Fe. 2021-08-03. www.adobegallery.com.
  9. Web site: Painting National Museum of the American Indian. 2021-08-03. americanindian.si.edu.
  10. Web site: Woman & Child / Gilbert Benjamin Atencio - Gilcrease Museum. 2021-08-03. collections.gilcrease.org. en.
  11. Book: Handbook of the Collections, 1917-1974, Museum of Fine Arts. 1974. Museum of New Mexico. 13. en.