| Lifeblood | |
| Type: | studio |
| Artist: | Manic Street Preachers |
| Cover: | Manicstreetpreachers_lifeblood.png |
| Border: | yes |
| Released: | 1 November 2004 |
| Recorded: | August 2003 – August 2004 |
| Genre: | |
| Length: | 45:26 |
| Label: | Sony |
| Producer: | |
| Prev Title: | Lipstick Traces |
| Prev Year: | 2003 |
| Next Title: | Send Away the Tigers |
| Next Year: | 2007 |
Lifeblood is the seventh studio album by Welsh alternative rock band Manic Street Preachers, released on 1 November 2004 by Sony Music UK.
The album was met with generally positive reviews from critics and yielded two singles: "The Love of Richard Nixon" and "Empty Souls". It peaked at number 13 in the UK Album Chart. An expanded and remastered edition was released in 2024 to mark its 20th anniversary.
The working title of Lifeblood was Litany, hinting that the song "Litany", recorded during the Lifeblood sessions, was originally intended for inclusion. The track, however, ultimately only appeared as a B-side on the "Empty Souls" CD single.
Although the album includes songs about disgraced U.S. president Richard Nixon and British suffragette leader Emmeline Pankhurst ("Emily"), the band's earlier political lyrics are largely replaced by personal reflection,[1]
Work on recording Lifeblood began in New York City with legendary producer Tony Visconti, but these sessions led to only three finished tracks: "Solitude Sometimes Is", "Emily" and "Cardiff Afterlife". The band then decided to continue with frequent collaborator Greg Haver and moved to Grouse Lodge Studio in Westmeath, Ireland and then Stir Studios in Cardiff, Wales. Additional production and final mixing was completed by Tom Elmhirst.[2]
The album is a departure musically, replacing the band's traditional guitar walls of sound with more subtle and melodic playing, with more emphasis being given to keyboards and synthesizers. This resulted in the album being described as pop rock,[3] synthpop,[4] and synthrock .[5] Nicky Wire described the album as "elegiac pop" throughout the recording process.[6]
Singer and guitarist James Dean Bradfield recalled the writing and recording process in 2015: "I felt like we were suffering from something called paralysis to analysis in the process of writing. Perhaps we'd run out of juice, and there was another version of the band that we needed to find [in] ourselves. So we had this MO before we went into the studio of not trusting our first idea or second idea, and we'd always chase the third idea. We'd write a song and discard our distinctive way of playing that song. Also we didn't really play together on that record — there wasn't much live playing. I would lay down a vocal and a guitar track, and Nick and Sean would come in and put down tracks separately. There is an element to that record where it feels slightly virtual and disconnected, and inorganic. It lacks our true instinct. It lacks the essence of what we are. I think we talked ourselves into a corner. It was an investigation that didn't work."[7]
Nicky Wire reflected on the album in 2021: "Lifeblood is very much a withdrawal album. I was digging deeper holes, to just piss people off - without even trying. There's certain bits of it we do love. But as a man who grew up with the Guinness Book of Hit Records, the fact that the album went in at Number 13 just crushed me: 'Not even in the Top 10?! How has this happened?[8]
Lifeblood was preceded by the single "The Love of Richard Nixon", released on 18 October 2004. During the mid-week chart the single was at the No. 1 position, but dropped and ended up peaking at No. 2 on the UK singles chart.[9]
Lifeblood was released on 1 November 2004. It entered the UK Albums Chart at No. 13, selling 23,990 in the first week and spending only 3 weeks in the Top 75. The album went Silver, but was the least commercially successful album by the band. By 2011 it had only sold around 90,000 copies in the UK.
"Empty Souls", the second and final single from the album, was released on 10 January 2005. Like the previous single, it debuted and peaked at No. 2.
Lifeblood received generally positive reviews from critics, which had not happened for the band's previous effort Know Your Enemy. The album has a weighted average score of 66 out of 100 on Metacritic based on 9 reviews, indicating "generally favorable reviews".
AllMusic awarded the album three stars out of five and stated: "Lifeblood is a pleasant listen, but once you peel away the keyboards, sensitively strummed guitars and tasteful harmonies and concentrate on Bradfield's nakedly open voice and Wire's terminally collegiate lyrics, it's hard to escape the unintentional pathos that winds up defining the album and, conceivably, the band's latter-day career."
Barry Nicolson of NME wrote: "Where Know Your Enemy strived vainly for relevance, Lifeblood is seemingly content to exist as a highbrow rock record. Out go song titles that were half-baked political manifestos in themselves ('Freedom of Speech Won't Feed My Children' anyone?), in come elegiac pop anthems ('1985') and the welcome presence of Bowie producer Tony Visconti to add a glacial sheen to the whole affair. Indeed, this is arguably the best Manics album since Everything Must Go."
Colin Weston of Drowned in Sound praised the album, writing: "This is not rock, it is arguably not indie and would fit very comfortably next to the soft nu-wave eighties pop albums that your auntie has on the shelf... and it is quite simply brilliant! [...] Generation Terrorists may well live forever in the hearts of their fans but Lifeblood may well live forever as one of the best commercial albums of the band's career." John Garrett from PopMatters wrote "Richey may be long dead, but there's still warm blood coursing through the Manics' veins. They are for real—although maybe not in the way history had intended."
A negative review came from Q, calling the album "miserable and insipid".
In a reappraisal of the album following its 2024 re-issue, Clash argued that "‘Lifeblood’ was the starting point of the more varied textures that would follow in their music of the past two decades. Knowing when to ease off the bombast and how to present soulful, emotive ideas was a process most intently learnt in the writing of this record."[10] Similarly, Louder Than War stated that the album "provided a blueprint for some of the Manics’ more sedate recent albums, including 2021’s The Ultra Vivid Lament" and that it "elicits melancholy in razor-sharp quality."[11]
The band themselves have also begun speaking positively about the album and how they had previously been dismissive of it. Wire explained in 2024: "I think we’ve realised that it’s one of our best records. My problem was just that it was so unsuccessful."[12]
On 12th April 2024 the album was reissued as Lifeblood 20 in single CD, 3CD digibook and 2LP formats to celebrate the 20th anniversary of its original release.[13] It features two new remixes of "1985" by Porcupine Tree's Steven Wilson and the Cornish singer Gwenno.[14]
Manic Street Preachers
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