This incomplete list of works by Jean-Honoré Fragonard contains paintings and drawings in a variety of genres. Titles and dates often vary by source.
| Image | Title | Date | Size | Collection | Medium | Notes | |
|---|---|---|---|---|---|---|---|
| The See-Saw | Thyssen-Bornemisza Museum (Madrid) | ||||||
| Blind Man's Bluff | Toledo Museum of Art | ||||||
| Jeroboam Sacrificing to Idols (French: Jéroboam sacrifiant aux idoles) | 1752 | 115 x 145 cm | Académie des Beaux-Arts (Paris) | Oil on canvas | [1] | ||
| The Joys of Motherhood | Indianapolis Museum of Art | ||||||
| Psyche Showing Her Sisters Her Gifts from Cupid | 1753 | National Gallery (London) | |||||
| The Birth of Venus | 1753–1755 | Musée Grobet-Labadié (Marseilles) | |||||
| Diana and Endymion | 94.9 x 136.8 cm (37 3/8 x 53 7/8 in.) | National Gallery of Art (Washington, D.C.) | [2] | ||||
| The Musical Contest | |||||||
| The Joys of Motherhood | 1754 | 58 3/4 × 36 3/4 in. (149.2 × 93.3 cm) | Detroit Institute of Arts | Oil on canvas | |||
| The Grape Gatherer | 1754 | 59 1/8 × 33 3/4 inches (150.2 × 85.7 cm) | Detroit Institute of Arts | Oil on canvas | |||
| The Reaper | 1754 | ||||||
| The Shepherdess | 1754 | ||||||
| The Little Pilgrim | 1755 | ||||||
| Winter | 1755 | Los Angeles County Museum of Art | |||||
| Aurora Triumphing over Night | 95.3 x 131.4 cm (37 1/2 x 51 3/4 in.) | Museum of Fine Arts, Boston | Oil on canvas | [3] | |||
| Coresus Sacrificing Himself to Save Callirhoe | 1765 | Louvre (Paris) | Oil on canvas | ||||
| The Swing | |||||||
| The Storm | 73 x 97 cm | Louvre (Paris) | [4] | ||||
| Landscape with Shepherds and Flock of Sheep | 1763 | 52 x 73 cm | National Museum of Western Art (Tokyo) | Oil on canvas | [5] | ||
| The Trough | 1763–1765 | ||||||
| The Stolen Kiss | Metropolitan Museum of Art (New York City) | ||||||
| Happy Lovers | 1760–1765 | Norton Simon Museum (Pasadena, CA) | |||||
| Music | 1760–1765 | Norton Simon Museum (Pasadena, CA) | |||||
| The Philosopher (Saint Jerome) | 1764 | ||||||
| Head of an Old Man | 1765 | Musée Jacquemart-André (Paris) | |||||
| The Swing | 1767 | 81 cm × 64.2 cm (31+7⁄8 in × 25+1⁄4 in) | Wallace Collection (London) | ||||
| Jean-Claude Richard, Abbot of Saint-Non, Dressed à l'Espagnole | 93.8 cm × 73.8 cm (36.9 in × 29.1 in) | Museu Nacional d'Art de Catalunya (Barcelona) | |||||
| Fanciful Figure | 1769 | Louvre (Paris) | |||||
| The Two Sisters | Metropolitan Museum of Art (New York City) | ||||||
| Young Woman with Brown Hair | 1769 | Fogg Museum (Cambridge, MA) | |||||
| A Young Girl Reading (The Reader) (French: La Liseuse) | National Gallery of Art (Washington, D.C.) | ||||||
| François-Henri d'Harcourt | 1769 | Private collection | Fantastical Portraits (Portraits de fantaisie) | ||||
| Inspiration | 1769 | Louvre (Paris) | Fantastical Portraits (Portraits de fantaisie) | ||||
| Portrait of a Man (Denis Diderot) | 82 x 65 cm | Louvre (Paris) | Oil on canvas | Fantastical Portraits (Portraits de fantaisie)[6] | |||
| Portrait of a Man (The Warrior) | Clark Art Institute (Williamstown, MA) | Fantastical Portraits (Portraits de fantaisie) | |||||
| The Woman With A Dog | 1769 | Metropolitan Museum of Art (New York City) | Fantastical Portraits (Portraits de fantaisie) | ||||
| The Music Lesson | Louvre (Paris) | ||||||
| The Model's First Session (Les Débuts du modèle) | Musée Jacquemart-André (Paris) | ||||||
| The Raised Chemise (La Chemise enlevée) | Louvre (Paris) | ||||||
| Allegory of Vigilance | Metropolitan Museum of Art (New York City) | ||||||
| The Goddess Minerva | Detroit Institute of Arts | Oil on canvas | |||||
| Woman Looking in a Mirror | Utah Museum of Fine Arts (Salt Lake City) | ||||||
| Love as Folly | National Gallery of Art (Washington, D.C.) | Oil on canvas | |||||
| Love the Sentinel | National Gallery of Art (Washington, D.C.) | Oil on canvas | |||||
| The Love Letter | 1770–1775 | ||||||
| Girl with Dog | 1770–1775 | Alte Pinakothek (Munich) | |||||
| The Pre-arranged Flight | 1772–73 | Fogg Museum (Cambridge, MA) | |||||
| The Adoration of the Shepherds | Louvre (Paris) | ||||||
| The Happy Family | National Gallery of Art (Washington, D.C.) | ||||||
| The Visit to the Nursery | 73 x 92.1 cm (28 3/4 x 36 1/4 in.) | National Gallery of Art (Washington, D.C.) | |||||
| A Game of Hot Cockles | |||||||
| The Pursuit | 1771–72 | 125 1/8 x 84 7/8 in. (317.8 x 215.6 cm) | Frick Collection (New York City) | Oil on canvas | The Progress of Love (Les Progrès de l'amour) | ||
| The Meeting | 1771–72 | 125 x 96 in. (317.5 x 243.8 cm) | Frick Collection (New York City) | Oil on canvas | The Progress of Love (Les Progrès de l'amour) | ||
| Love Letters | 1771–72 | 124 7/8 x 85 3/8 in. (317.2 x 216.9 cm) | Frick Collection (New York City) | Oil on canvas | The Progress of Love (Les Progrès de l'amour) | ||
| The Lover Crowned | 1771–72 | 125 1/8 x 95 3/4 in. (317.8 x 243.2 cm) | Frick Collection (New York City) | Oil on canvas | The Progress of Love (Les Progrès de l'amour) | ||
| Reverie | 125 1/8 x 77 5/8 in. (317.8 x 197.2 cm) | Frick Collection (New York City) | Oil on canvas | The Progress of Love (Les Progrès de l'amour) | |||
| Blind Man's Buff | Timken Museum of Art (San Diego) | ||||||
| Constance de Lowendal | 1775–1785 | São Paulo Museum of Art | |||||
| The Bolt | 1777 | ||||||
| The Stolen Kiss | 1787 | Hermitage Museum (Saint Petersburg) | |||||
| The Beloved Child | 1780s | Fogg Museum (Cambridge, MA) | |||||
| The First Steps | 1780s | Fogg Museum (Cambridge, MA) | |||||
| The Angora Cat | |||||||
| Boy Attempting to Restrain a Cow by a Rope | Museum of Fine Arts, Houston | ||||||
| The Burning Fuse (Le feu aux poudres) | Louvre (Paris) | ||||||
| The Beautiful Servant | Nationalmuseum (Stockholm) | ||||||
| In the Wheat | |||||||
| Pastoral Landscape with a Shepherd and Shepherdess at Rest | |||||||
| Two Girls on a Bed Playing with their Dogs | |||||||
| Cephalus and Procris | Musée des Beaux Arts d'Angers | ||||||
| The Sacrifice of Callirhoe | Real Academia de Bellas Artes de San Fernando (Madrid) | ||||||
| Coresus and Callirhoe | Musée des Beaux-Arts d'Angers | Oil sketch |
| Portrait of Bergeret | 1770–1 |
| Metropolitan Museum of Art (New York City) | ||||
| A Gathering at Wood's Edge | 1770–3 | 14 3/4 x 19 3/8 in. (37.5 x 49.2 cm) | |||||
| Nègrepelisse Castle near Montauban | 1773 | 36.2 x 48.4 cm | Museum Boijmans Van Beuningen (Rotterdam) | ||||
| A Shaded Avenue | 1774 | The Getty (Los Angeles) | |||||
| Cypress Avenue at the Villa d'Este in Tivoli | 1774 | Albertina (Vienna) | |||||
| The Party Cook | Wallraf–Richartz Museum (Cologne) | ||||||
| Young Woman Standing | 1775–8 | Rijksmuseum (Amsterdam) | |||||
| The Armoire | 1778 | National Gallery of Art (Washington, D.C.) | |||||
| To the Genius of Franklin | White House (Washington, D.C.) | ||||||
| White Bull and a Dog in a Stable | Albertina (Vienna) | ||||||
| A Young Woman Dozing | |||||||
| The Girl with the Marmot |