The Tunes of Two Cities explained

The Tunes of Two Cities
Type:studio
Artist:The Residents
Cover:Residents tune of 2 cities.jpg
Released:March 1982
Recorded:October 1980–January 1982
Length:39:50
Label:Ralph
Producer:The Cryptic Corporation
Prev Title:Mark of the Mole
Prev Year:1981
Next Title:Title In Limbo
Next Year:1983

The Tunes of Two Cities is the ninth studio album by American art rock group The Residents, released in 1982. It is part two of the Mole Trilogy. Rather than forwarding the story of the battle between the Mole People and the Chubs, the record's concept is to display the differences between the two cultures through their music. The music of the Chubs is light cocktail jazz, while that of the Moles tends toward industrial hymns. A major feature of this album is that it was one of the first to use the E-mu Emulator, one of the earliest commercial digital samplers.

The Chub track "Mousetrap" bears a noticeable resemblance to Stan Kenton's "Eager Beaver." In one 1998 interview, band spokesman Homer Flynn acknowledged that the band listened to jazz and big band artists including Kenton, as well as Charles Mingus and Sun Ra.[1]

Track listing

The 1988 CD release contains three extra tracks that were excluded from the album due to space constraints. These tracks are sequenced between "Praise for the Curse" and "The Secret Seed", restoring the alternation between "Mole" and "Chub" songs.

2019 pREServed edition (Mole Box)

A deluxe box set pertaining to the entire Mole Trilogy concept was released in 2019. It contained newly remastered editions of Mark of the Mole, The Tunes of Two Cities and The Big Bubble, as well as recordings of the Mole Show and a sixth disc of miscellaneous recordings related to the project. Disc Two is shown here for its relevance.

Personnel

The Residents: Performance

Snakefinger

Guitar

Nessie Lessons: Vocals

Norman Salant

Saxophone

Notes and References

  1. http://www.ram.org/music/articles/residentsinterview.html Homer Flynn Interview